I can’t wait to see how they tackle these themes within the unique scale and public context of Tate Modern’s Turbine Hall.”Ĭurators for the installation will be from Tate Modern’s regeneration and community partnerships team – providing a clue to what type if work it might be. “Their work raises timely questions about the role of the artist in contemporary society, exploring how we interpret and engage with the increasingly complex world around us. Critics took it as a comment on the meltdown of global capitalism and the west’s failure to cope with the threat of climate change.Ī current example of Superflex’s work can be seen on the side of the Hayward Gallery in London: a billboard of a euro coin with its value missing.įrances Morris, director of Tate Modern, said she was delighted to announce Superflex as the 2017 commission artists. The surgical tools, operating table and lamp were later sent to provide medical relief in Syria.įor a show at the South London Gallery in 2009, Superflex showed a film of a replica McDonald’s burger bar being slowly flooded, as in a disaster movie. In 2014, for example, it explored our voyeuristic relationship to conflict by installing an operating theatre in a gallery in the Swiss mountain municipality of S-chanf. The group repeatedly engages with current social, political and cultural issues. The idea was to represent all the nationalities, so there are, for example, picnic benches from Armenia, a Thai boxing ring, litter bins from the UK and a set of swings from Iraq. In 2011, they employed a strategy that they called “extreme participation” for a project called Superkilen which involved creating a new park in one of Copenhagen’s most diverse neighbourhoods. ![]() A Tate employee with part of Philippe Parreno’s ‘Anywhen’ installation.
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